Best Lens for Concert Photography: Top Picks in 2023

Concert photography is a unique art form that requires a specific set of skills and gear to capture the energy and excitement of a live performance. One of the most critical pieces of equipment for concert photography is the lens. A high-quality lens can make all the difference when it comes to capturing sharp, clear images in low light conditions.

When it comes to choosing the best lens for concert photography, there are a few critical factors to consider. The first is aperture. A wide aperture lens allows more light to enter the camera, which is essential for shooting in low light conditions. The second factor is focal length. A lens with a longer focal length can help you get closer to the action, while a wider focal length is better for capturing the overall atmosphere of the concert.

Best Lens for Concert Photography

We understand the importance of capturing the perfect shot during concerts. With the right lens, you can capture the energy and excitement of live performances. After thorough research and testing, we have compiled a list of the best lenses for concert photography. These lenses have been selected based on their ability to capture sharp and clear images, even in low light conditions. Whether you’re a professional photographer or an amateur, these lenses will help you capture stunning photos of your favorite artists.

Canon EF 50mm f/1.8 STM Lens

If you’re looking for an affordable and versatile lens that can capture stunning portraits and low-light photos, the Canon EF 50mm f/1.8 STM Lens is a great option.

Pros

The wide f/1.8 aperture lets in more light, resulting in sharper images with less motion blur and reduced need for flash.
The 50mm focal length is great for portraits and everyday use, with a similar perspective to the human eye.
The near-silent STM technology allows for quick and smooth focusing, making it easy to capture fleeting moments.

Cons

The lens’s fixed focal length may limit its versatility in certain situations.
Some users have reported issues with autofocus accuracy, particularly in low light.
The build quality may not be as robust as more expensive lenses.

This lens is a great option for those looking for an affordable and versatile lens that can capture stunning portraits and low-light photos. Its wide aperture lets in more light, resulting in sharper images with less motion blur and reduced need for flash. The 50mm focal length is great for portraits and everyday use, with a similar perspective to the human eye. The near-silent STM technology allows for quick and smooth focusing, making it easy to capture fleeting moments. However, its fixed focal length may limit its versatility in certain situations, and some users have reported issues with autofocus accuracy, particularly in low light. Additionally, the build quality may not be as robust as more expensive lenses.

Overall, if you’re looking for a budget-friendly lens that can capture stunning portraits and low-light photos, the Canon EF 50mm f/1.8 STM Lens is definitely worth considering.

Sigma 17-50mm f/2.8 EX DC OS HSM FLD Large Aperture Standard Zoom Lens for Nikon Digital DSLR Camera

If you’re looking for a versatile lens for concert photography, the Sigma 17-50mm f/2.8 EX DC OS HSM FLD is a great choice.

Pros

Large aperture for low-light shooting
Stabilization helps reduce camera shake
FLD glass provides excellent image quality

Cons

Heavy and bulky compared to other lenses
Autofocus can be noisy
OS not available for Pentax and Sony mounts

This lens is perfect for capturing great concert photos, with its large aperture and image stabilization. However, it is heavier and bulkier than other lenses, and the autofocus can be noisy. Additionally, OS is not available for Pentax and Sony mounts.

The Sigma 17-50mm f/2.8 EX DC OS HSM FLD is a versatile lens that can handle a variety of shooting situations. The large aperture is perfect for low-light shooting, which is common in concerts. The stabilization feature helps reduce camera shake, which is especially important when shooting in low light.

One of the best features of this lens is the FLD glass, which provides excellent image quality. This lens is great for capturing sharp, clear images with accurate colors and contrast.

However, this lens is heavier and bulkier than some other lenses, which can make it more difficult to carry around for extended periods. Additionally, the autofocus can be noisy, which can be distracting in quiet environments. Finally, OS is not available for Pentax and Sony mounts, which can be a dealbreaker for some photographers.

Overall, the Sigma 17-50mm f/2.8 EX DC OS HSM FLD is a great choice for concert photography. Its large aperture and image stabilization make it perfect for low-light shooting, and the FLD glass provides excellent image quality. While it may be heavier and bulkier than some other lenses, it is still a great choice for photographers who want a versatile lens for their concert photography needs.

Tamron SP 70-200mm F/2.8 Di VC G2 for Canon EF DSLR

If you’re looking for a high-quality telephoto lens for concert photography, the Tamron SP 70-200mm F/2.8 Di VC G2 is a great option.

Pros

The VC performance is excellent, with 5 stops of compensation and three modes optimized for different shooting situations.
The MOD has been reduced to 37.4″, making it more flexible.
The lens is lightweight and easy to hold, with a tripod mount that is compatible with an Arce-Swiss style quick release plate.

Cons

The price point is higher than some other options on the market.
The autofocus can be a bit noisy.
Some users have reported issues with the lens not focusing properly.

The Tamron SP 70-200mm F/2.8 Di VC G2 is a high-quality lens that delivers excellent image quality and enhanced bokeh. The XLD and LD glass eliminate chromatic aberrations across the entire zoom range, ensuring optimum resolution even at the edges. The lens is also moisture-proof and dust-resistant, with a fluorine coating for protection and safe cleaning.

One of the standout features of this lens is the VC performance, which is equivalent to 5 stops according to CIPA standards. The lens offers a choice of three VC modes, including one exclusively for panning. This makes it easy to match the VC mode to your shooting conditions and enjoy sharp, jitter-free handheld shooting even in low light.

Overall, the Tamron SP 70-200mm F/2.8 Di VC G2 is a great option for concert photographers who want a high-quality lens that delivers excellent image quality and enhanced bokeh. While it may be a bit pricey, it is definitely worth the investment for those who want the best possible results.

Sigma 35mm F1.4 Art DG HSM Lens for Canon

If you’re looking for a high-quality prime lens for concert photography, the Sigma 35mm F1.4 Art DG HSM Lens for Canon is definitely worth considering.

Pros

The large aperture and fast autofocus make it perfect for low-light situations.
The inner focusing system ensures that the lens stays compact and lightweight, making it easy to handle.
Comes with a lens hood and carrying case for added convenience.

Cons

The fixed focal length may be limiting for some photographers who prefer zoom lenses.
The price point is on the higher end for a prime lens.
Some users have reported issues with the autofocus accuracy.

This lens is ideal for capturing high-quality images in low-light situations, making it perfect for concert photography. The large aperture and fast autofocus ensure that you get sharp, clear images even in dimly lit environments.

In addition, the inner focusing system ensures that the lens stays compact and lightweight, making it easy to handle. This is especially important when you’re trying to capture fast-moving subjects like musicians on stage.

While the fixed focal length may be limiting for some photographers who prefer zoom lenses, the 35mm focal length is versatile enough to capture a wide range of shots. And while the price point is on the higher end for a prime lens, the added convenience of the lens hood and carrying case make it a worthwhile investment.

However, some users have reported issues with the autofocus accuracy, so it’s important to test the lens thoroughly before committing to a purchase. Overall, if you’re looking for a high-quality prime lens for concert photography, the Sigma 35mm F1.4 Art DG HSM Lens for Canon is definitely worth considering.

Nikon AF-S NIKKOR 70-200mm f/2.8E FL ED VR Lens Lens only

If you’re looking for the best zoom lens for concert photography, the Nikon AF-S NIKKOR 70-200mm f/2.8E FL ED VR Lens Lens only is a great option.

Pros

The minimum focus distance of 3.6 feet (1.1 meter) allows you to capture close-up shots of performers.
With 9 diaphragm blades and a minimum aperture of f/22, this lens produces sharp and clear images.
The focus distance indicator of 1.1 am to infinity makes it easy to focus on your subjects quickly.

Cons

This lens is quite heavy, weighing in at 3.15 pounds, which may be a concern for some photographers.
The price point of this lens may be too high for those on a budget.
The lens only accepts screw-on filters, which may limit your filter options.

The Nikon AF-S NIKKOR 70-200mm f/2.8E FL ED VR Lens Lens only is a versatile lens that produces sharp and clear images. While the weight and price point may be a concern for some, the minimum focus distance and focus distance indicator make it easy to capture great shots of performers.

In addition, this lens is compatible with new Z Nikkor lenses, over 360 F-mount Nikkor lenses, and a variety of Nikon system accessories, making it a great addition to any photographer’s kit. If you’re looking for a high-quality zoom lens for concert photography, the Nikon AF-S NIKKOR 70-200mm f/2.8E FL ED VR Lens Lens only is definitely worth considering.

Sony FE 24 mm f/1.4 GM

If you’re looking for a lens that can capture stunning concert photography, the Sony FE 24 mm f/1.4 GM is definitely worth considering.

Pros

Incredibly sharp images thanks to advanced optical design
Beautifully smooth backgrounds with circular 11-blade aperture
Fast and precise autofocus with high-power DDSSM focus drive system

Cons

Expensive compared to other lenses on the market
Limited zoom range may not be suitable for all types of photography
Not ideal for low-light situations without additional lighting equipment

The Sony FE 24 mm f/1.4 GM is a top-of-the-line lens that delivers exceptional image quality, making it a great choice for capturing stunning concert photography. The lens features two XA (extreme aspherical) and three ED glass elements that work together to provide superb resolution, clarity, and contrast. Additionally, the circular 11-blade aperture creates beautifully smooth backgrounds with stunning bokeh defocus effects.

One of the standout features of this lens is its fast and precise autofocus, which is powered by a high-power DDSSM focus drive system. This makes it easy to capture sharp, clear images even in fast-paced concert environments. The lens is also designed with professional ergonomics in mind, with a sealed dust and moisture-resistant design that provides extra protection to ensure reliable operation in challenging environments.

While the Sony FE 24 mm f/1.4 GM is undoubtedly an impressive lens, it’s important to note that it is quite expensive compared to other lenses on the market. Additionally, its limited zoom range may not be suitable for all types of photography, and it may not be ideal for low-light situations without additional lighting equipment.

Overall, if you’re looking for a high-quality lens that can capture stunning concert photography, the Sony FE 24 mm f/1.4 GM is definitely worth considering.

Sigma 70-200mm f/2.8 APO EX DG HSM OS FLD Large Aperture Telephoto Zoom Lens

If you’re looking for a high-quality telephoto zoom lens for concert photography, the Sigma 70-200mm f/2.8 APO EX DG HSM OS FLD Large Aperture Telephoto Zoom Lens is a great option to consider.

Pros

The large aperture of f/2.8 allows for excellent low-light performance, making it perfect for concert photography.
The Optical Stabilizer function offers the use of shutter speeds approximately 4 stops slower than would otherwise be possible, making telephoto shooting easy.
The lens features two FLD (“F” Low Dispersion) glass elements, which have the performance equal to fluorite glass, and three SLD (Special Low Dispersion) glass elements providing excellent correction of color aberration.

Cons

The lens is quite heavy, weighing in at 1430g / 50.4oz, which can make it difficult to carry around for extended periods of time.
The price point is quite high, which may not be affordable for all photographers.
Some users have reported issues with autofocus accuracy, which may be a concern for some photographers.

This lens has a compact construction with a diameter of 3.4in, overall length of 7.8in, and weight of 50.4oz. The compact and lightweight construction makes it ideal for many types of photography such as portraits, landscapes, and sports.

The lens features a Hyper Sonic Motor (HSM), ensuring a quiet and high-speed autofocus, while allowing full-time manual focus override. It also has a rounded 9 blade diaphragm which creates an attractive bokeh to the out of focus area.

While this lens may not be the best value option available, it is a high-quality lens that is sure to deliver excellent results for those willing to invest in it. If you’re looking for a reliable telephoto zoom lens for concert photography, the Sigma 70-200mm f/2.8 APO EX DG HSM OS FLD Large Aperture Telephoto Zoom Lens is definitely worth considering.

YONGNUO YN50mm F1.8 Lens

If you’re looking for an affordable lens for concert photography, the YONGNUO YN50mm F1.8 is a decent option.

Pros

The wide aperture of 1.8 enables a shallow depth of field, which is great for creating artistic shots.
It supports both auto and manual focus modes, giving you more control over your shots.
It’s a budget-friendly option that won’t break the bank.

Cons

The build quality feels a bit cheap compared to more expensive lenses.
Some users have reported issues with autofocus accuracy.
The image quality isn’t as sharp as more expensive lenses.

If you’re on a tight budget and looking for a lens that can get the job done, the YONGNUO YN50mm F1.8 is worth considering. While it may not have the same build quality or image sharpness as more expensive lenses, it’s a solid option for those just starting out in concert photography.

In terms of alternatives, the YONGNUO YN50mm F1.8 is already a budget lens. However, if you’re looking for an even more affordable option, you may want to consider the Canon EF 50mm f/1.8 STM Lens.

Canon EF 70-200mm f/2.8L IS III USM Lens

If you’re looking for a high-quality lens for concert photography, the Canon EF 70-200mm f/2.8L IS III USM Lens is definitely worth considering.

Pros

Constant f/2.8 maximum aperture for excellent low-light performance and bokeh
Canon’s Air Sphere Coating (ASC) minimizes ghosting and flare, ensuring clear and sharp images
Optical Image Stabilization at up to 3.5 stops of shake correction, allowing for handheld shooting in low light

Cons

Expensive, making it a significant investment
Large and heavy, making it less portable
Minimum focusing distance of 3.9 feet, which may not be ideal for close-up shots

This lens is highly resistant to dust and water, making it ideal for outdoor concerts or shooting in harsh conditions. The fluorine coating on the front and rear elements helps reduce smears and fingerprints, ensuring that your shots are always clear and sharp. The inner focusing system with ring ultrasonic motor allows for fast and accurate autofocusing, while the full-time manual focus allows for precise manual adjustments.

One of the standout features of this lens is its constant f/2.8 maximum aperture, which allows for excellent low-light performance and beautiful bokeh. The one fluorite element and five UD elements ensure high image quality, while the diagonal angle of view of 34° – 12° allows for versatile shooting.

Overall, if you’re looking for a high-quality lens for concert photography and don’t mind the investment, the Canon EF 70-200mm f/2.8L IS III USM Lens is an excellent choice. Its outstanding clarity and performance make it a great choice for creating stunning concert photos that truly capture the moment.

Sony FE 70-200mm f/2.8 GM OSS Lens

If you want to capture stunning concert photography, the Sony FE 70-200mm f/2.8 GM OSS Lens is an excellent choice.

Pros

The G Master design provides exceptional resolution and bokeh, making your photos look professional.
The constant F2.8 max aperture ensures that your exposure and depth of field remain consistent.
The lens is dust and moisture resistant, making it perfect for outdoor concerts.

Cons

The lens is quite heavy, weighing in at 1480 g without the tripod mount.
The price point is high, making it an investment for serious photographers.
The lens may not be suitable for those who prefer a wider-angle lens for concert photography.

The Sony FE 70-200mm f/2.8 GM OSS Lens is a high-quality lens that delivers exceptional results. The G Master design combines extraordinary sharpness and smooth bokeh, making your photos look professional. The constant F2.8 max aperture ensures that your exposure and depth of field remain consistent, even in low light conditions. The lens also features a class-leading min. focus distance of 37.8” / 0.25x max. mag, making it ideal for capturing close-up shots of performers.

One of the standout features of the Sony FE 70-200mm f/2.8 GM OSS Lens is its dual floating focus system, which provides high AF speed and precision. The lens also features XA, ED/Super ED elements and Nano AR Coating for superb resolution. Aspherical elements and an 11-blade circular aperture create gorgeous bokeh, while the lens’ min. focus breathing and par focal design make it ideal for video. The direct coupled mechanical focus system allows for precise manual focus.

The Sony FE 70-200mm f/2.8 GM OSS Lens is also built to last, with a rigid construction that maintains constant lens length during focusing and zooming. The lens also features high performance Optical Steady Shot Image stabilization, which helps reduce camera shake and blur. The lens is dust and moisture resistant, making it perfect for outdoor concerts.

Overall, the Sony FE 70-200mm f/2.8 GM OSS Lens is an excellent choice for concert photographers who want to capture stunning, professional-quality photos. While the lens is quite heavy and expensive, its exceptional performance and durability make it a worthwhile investment.

Buying Guide

When it comes to choosing the best lens for concert photography, there are a few key factors to consider. We want to make sure that we choose a lens that meets our needs and budget. Here are some features that we should look for:

Focal Length

The focal length of a lens determines the angle of view and magnification. For concert photography, we recommend using a lens with a focal length between 24mm and 70mm. A wider angle lens can capture the entire stage, while a telephoto lens can zoom in on specific performers.

Aperture

The aperture of a lens determines how much light can enter the camera. A larger aperture (smaller f-number) allows more light to enter, which is important when shooting in low light situations. We recommend using a lens with an aperture of f/2.8 or wider.

Image Stabilization

Image stabilization helps to reduce camera shake and produce sharper images. This is especially important when shooting in low light situations or when using a telephoto lens. We recommend using a lens with built-in image stabilization.

Autofocus

Fast and accurate autofocus is crucial for capturing sharp images of moving performers. We recommend using a lens with fast and accurate autofocus capabilities.

Durability

Concert photography can be physically demanding, so it’s important to choose a lens that can withstand the rigors of the job. We recommend using a lens with a durable construction and weather sealing.

Overall, when choosing a lens for concert photography, we want to prioritize features that will help us capture sharp and clear images in low light situations. By considering factors such as focal length, aperture, image stabilization, autofocus, and durability, we can find a lens that meets our needs and budget.

Frequently Asked Questions

What lens to use when shooting a concert?

When shooting a concert, we recommend using a fast lens with a wide aperture, such as a 50mm f/1.8 or 85mm f/1.8. These lenses allow for more light to enter the camera, which is essential in low-light situations. Additionally, they provide a shallow depth of field, which can help isolate the subject from the background and create a more visually appealing image.

What is the best focal length for concert photography?

The best focal length for concert photography depends on the type of shot you want to capture. For close-up shots of performers, we recommend using a lens with a focal length between 50mm and 85mm. For wider shots that capture the entire stage, a lens with a focal length of 24mm to 35mm is recommended.

Is a 35mm lens good for concert photography?

Yes, a 35mm lens can be a good choice for concert photography, especially if you want to capture wider shots that include the entire stage. However, it may not be the best choice for close-up shots of performers, as it may not provide enough magnification. Ultimately, the choice of lens depends on the type of shot you want to capture and your personal preference.